摩西·迈蒙尼德（1135－1204），中世纪最伟大的犹太哲学家、思想家和律法大师，所著《迷途指津》《论知识》等均为犹太经典。 董修元，山东青岛人，生于1983年，博士。

Trees are one of the most ubiquitous religious symbols across the world. From ancient Sumer to Christianity, from the Maya civilization to Buddhism, there’s hardly a human society over the ages that hasn’t associated trees with some sort of celestial and religious power. Due to its expressive quality and natural branching scheme, trees have also become important communication t...(展开全部)

Trees are one of the most ubiquitous religious symbols across the world. From ancient Sumer to Christianity, from the Maya civilization to Buddhism, there’s hardly a human society over the ages that hasn’t associated trees with some sort of celestial and religious power. Due to its expressive quality and natural branching scheme, trees have also become important communication t...(展开全部)

巴尔达萨雷·卡斯蒂廖内（1478 –1529），文艺复兴时期意大利诗人。他起初服务于曼图亚侯爵弗朗西斯科·贡扎加。1504年进入乌尔比诺宫廷，为圭多巴尔多·达·蒙特费尔特罗公爵效力。1521年成为一名神职人员，1529年死于托莱多。其代表作《廷臣论》体现了文艺复兴时期人文主义思想文化的内涵和特征，不仅享誉当时的文坛，还对后来的欧洲思想文化进程产生了独特的影响。《廷臣论》以美妙的文笔虚构了发生在1507年间乌尔比诺公爵与其廷臣之间的谈话。

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe...(展开全部)

巴尔达萨雷·卡斯蒂廖内（1478 –1529），文艺复兴时期意大利诗人。他起初服务于曼图亚侯爵弗朗西斯科·贡扎加。1504年进入乌尔比诺宫廷，为圭多巴尔多·达·蒙特费尔特罗公爵效力。1521年成为一名神职人员，1529年死于托莱多。其代表作《廷臣论》体现了文艺复兴时期人文主义思想文化的内涵和特征，不仅享誉当时的文坛，还对后来的欧洲思想文化进程产生了独特的影响。《廷臣论》以美妙的文笔虚构了发生在1507年间乌尔比诺公爵与其廷臣之间的谈话。

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe...(展开全部)

In "The Nature of the Book," a tour de force of cultural history, Adrian Johns constructs an entirely original and vivid picture of print culture and its many arenas--commercial, intellectual, political, and individual. "A compelling exposition of how authors, printers, booksellers and readers competed for power over the printed page. . . . The richness of Mr. Johns's book lie...(展开全部)

This text takes a look at early modern England and the creative and commercial forces in which print culture was formed and its many arenas - commercial, intellectual, political and individual. It includes detailed information on booksellers shops, the Royal Society, paper manufactories and type foundaries. Also featured are replications of the bitter disputes between authors a...(展开全部)